Description
For the first time anywhere, you can get live, unedited and raw Sweet N Evil videos!
Now you can experience the movement!
$19.99
For the first time anywhere, you can get live, unedited and raw Sweet N Evil videos!
Now you can experience the movement!
For the first time anywhere, you can get live, unedited and raw Sweet N Evil videos!
Now you can experience the movement!
Weight | 24 oz |
---|---|
Dimensions | 11.5 × 9.5 × 1 in |
Show | Escapades 4/28/91, Escapades 5/11/91, Kane Stadium 6/91, 3 Shows 7/91, Studio One 8/25/91, Rock Quarry 12/27/91, Redspot, Marquee 2/92, Redspot 5/1/92, Rock N Roll Cafe 6/20/92, Rock Horse 7/4/92, Club Bene' 7/11/92, Rocker Room 9/26/92, Rock the House 10/21/92, Underworld 10/7/92, Underworld 11/21/92, Rock the House 12/2/92, ??? '92, PAL Showcase 6/93, PAL Benefit 6/14/93, PAL Benefit 5/13/93, Lion's Den 3/19/96 |
James Paul McCartney is the title of a 1973 television special produced by ATV and starring British musician Paul McCartney and his then current rock group Wings. It was first broadcast in 16 April 1973 in the United States on the ABC network, and was later broadcast in the United Kingdom on 10 May 1973. To date, the program has never been officially released on any home video format.
Beatlemania was exploding in America in August 1964 as the Fabs embarked on their first proper U.S. concert tour. This stop, in Los Angeles for their Hollywood Bowl performances, was filmed by newsreel companies, local TV stations and others and is one of the best documented concert stops on their 1964 US tour.
Let It Be is a 1970 documentary film about the Beatles rehearsing and recording songs for the album Let It Be in January 1969. The film features an unannounced rooftop concert by the group, their last performance in public. Released just after the album, it was the final original Beatles release.
The album is an attempt to undo the work of producer Phil Spector, who remixed the 1970 Let It Be behind Paul McCartney’s back (though the other Beatles were complicit). Spector dubbed in kitschy strings, horns and female voices, while screaming, “I must have more echo! I must have more reverb!” according to engineer Geoff Emerick, who was in the studio on Apr. 1, 1970. Emerick says Spector butchered “The Long and Winding Road,” reducing the Beatles’ performance down to one or two tracks to make room for five or six tracks of orchestra and choir overdubs. Spector actually erased one of McCartney’s vocals forever. “I hope Paul likes this,” Emerick recalled Spector saying, “because I’ve changed the chords.” McCartney, shocked and enraged, called Spector’s work “crap” and the Let It Be experience “the worst time of my life.”
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