Description
For the first time anywhere, you can get live, unedited and raw Sweet N Evil videos!
Now you can experience the movement!
Sweet N Evil Live
$19.99
For the first time anywhere, you can get live, unedited and raw Sweet N Evil videos!
Now you can experience the movement!
Additional information
| Weight | 24 oz |
|---|---|
| Dimensions | 11.5 × 9.5 × 1 in |
| Show | Escapades 4/28/91, Escapades 5/11/91, Kane Stadium 6/91, 3 Shows 7/91, Studio One 8/25/91, Rock Quarry 12/27/91, Redspot, Marquee 2/92, Redspot 5/1/92, Rock N Roll Cafe 6/20/92, Rock Horse 7/4/92, Club Bene' 7/11/92, Rocker Room 9/26/92, Rock the House 10/21/92, Underworld 10/7/92, Underworld 11/21/92, Rock the House 12/2/92, ??? '92, PAL Showcase 6/93, PAL Benefit 6/14/93, PAL Benefit 5/13/93, Lion's Den 3/19/96 |
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$19.95The album is an attempt to undo the work of producer Phil Spector, who remixed the 1970 Let It Be behind Paul McCartney’s back (though the other Beatles were complicit). Spector dubbed in kitschy strings, horns and female voices, while screaming, “I must have more echo! I must have more reverb!” according to engineer Geoff Emerick, who was in the studio on Apr. 1, 1970. Emerick says Spector butchered “The Long and Winding Road,” reducing the Beatles’ performance down to one or two tracks to make room for five or six tracks of orchestra and choir overdubs. Spector actually erased one of McCartney’s vocals forever. “I hope Paul likes this,” Emerick recalled Spector saying, “because I’ve changed the chords.” McCartney, shocked and enraged, called Spector’s work “crap” and the Let It Be experience “the worst time of my life.”
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